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Music production in Beijing

I just got back last week from another trip to Beijing, my longest one yet as I had 3 projects to work on and a number of meetings…

I was working with artist Elika Mahony as usual, she has just released a new album on the theme of Love, ‘Birds of Love’ that we were consulting about the promotion for, and developing a limited edition version of. We were also recording new material for an upcoming new age style progressive pop album as well as her instrumental album.

Those alone were very exciting projects and it was amazing to work in person with Elika, she accomplished what I feel are her best vocal performances yet on this trip… But I was also working on a Chinese spiritual CD with some local Chinese artists including Chinese pop music legend, Cheng Lin that I will talk more about in the future.

A new project I was working on there, and one of my most unique and culturally diverse was an ambient instrumental relaxation album for Green T. Living owner, Jin R, who is also a very talented artist and performer of the beautiful Yang Qin, which I think is my new favorite instrument.
There are so many talented artists in China playing traditional instruments in new ways, You can have all the experience in the world, or a degree from a music production school, but finding and working with undiscovered talent like this is one of the most rewarding things for a producer.

Jin R had quite an ambitious and creative concept for her new album, one that would provide a soundtrack for guests of her new bath house. The concept was ‘A journey with a cup of tea’, one that you would take without leaving the relaxing confines of the bath house, so I helped her develop the album so that it went from traditional ancient Chinese roots using such ancient instruments as the Gu Qin (over 2000 years old, to the Yang Qin, to the flute and synthesizer with various sound ambiances and real world elements.

I used a Rode NT-4 stereo mic to capture the natural ambience of some of these instruments.
It’s really quite something, you may have to take a trip to Beijing to get a copy though…

For the first time, brought the mobile equivalent of my entire studio setup to work on these projects, but ran into a few challenges when I forgot that China is on 220 power! Luckily, some of my equipment such as an external hard drive with all my sound libraries, and USB hub with all my software licenses were able to run on 220 without a converter. A very good thing, as I plugged them in without thinking about it in my excitement… Not a good thing for the preamp I wanted to add to Elika’s studio. We got it fixed very quickly there, but it never quite sounded the same.

www.flickr.com/photos/jaromematthew/sets/72157615008213764/

More about the music industry related aspects of my trip are on the Pro Soul Alliance blog.

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3 Responses to “Music production in Beijing”

  1. Elika Says:

    Jarome – it was such a pleasure having you in Beijing once again! Thanks for the compliments and for helping me reach for my true vocal potential. Look forward to working in person again soon.

  2. Zoe Says:

    Hello Jarome, I just googled music technology and your blog came up. I am new to China, have only been here for two months and did a Cubase course before I left England. I am trying to set up a portable studio but have no idea how to get hold of equipment. Am in a fairly small city Xuzhou. Do you know anywhere in Beijing? Or could you give me any other advice?

  3. jarome Says:

    I find with a lot of professional equipment, you either have to find a distributor, or go to Hong Kong or something.
    With software, you should order directly from the distributor, so Steinberg in Shanghai or where their head office is…