Excited to see after a lot of work and patient waiting that Chinese film by Canadian director Neysan Sobhani ‘GUIDANCE’ which was another project we worked on that kept us going during the 2020 pandemic territories is available worldwide on all major platforms: Apple TV/iTunes, Amazon, Google Play, & more.

Even better, it has been getting fantastic reviews both in China and overseas, even by the elusive New York Times which voted it one of the top 5 sci fi movies to stream! And 88% on Rotten Tomatoes (which is based on reviews by professional film critics)

As supervising sound editor for this sci fi drama, I was involved in the sound design, foley, audio editing, ADR, music score coordination and 5.1 mixing.

One of the reasons I enjoyed working on this film is it’s unique story that asks the question, what if you could turn your body into a quantum computer that could tell if someone was lying how would it affect your relationships? Would it make truthfulness pervasive?

Based on the key Baha’i principle that Truthfulness is the foundation of all human virtues, It’s unique these days to see a film based on the idea of virtue, even more so how we can use technology that is real and actually being developed to help humans more easily be ‘encouraged’ to live by virtues such as in this case truthfulness. We always want to know if there is a way to ‘cheat’ to allow us to become better. The interesting question this film asks is ‘would it work’? Once someone could tell you were lying, you would probably feel obliged to acquire the same ability to level the playing field. What is even more interesting is that this is a Chinese film from a Canadian director. As someone who has lived in China long enough to experience how white lies are a very pervasive and acceptable part of the culture, it poses an even more interesting question to an audience that may be most intrigued by this idea. However, when you ignore the language of the film, it could really be set anywhere and it still provides thought provoking ideas. That being said, this is after all a ‘relationship drama’ set in the future, so if your curious about the idea of acquiring virtue by turning your body into a quantum computer aka ‘NIS’ and running an app called ‘Guidance’ to give you an advantage in negotiations / relationships you may be let down by the fact that this is a film about conflicted characters in flawed relationships. But maybe even if that is not really your thing you will appreciate the film for its unique scenery of China, a glimpse into a possible near future, and an unpredictable ending that is sure to catch most off guard.

Get more info and see the trailer on the Pro Soul website here or the official website here. Full reviews on IMDB page

We recently did Audio Editing, Sound Design, Music Recording, and the Audio Mixing for this short film to promote the launch of the X1 media pad, a new phone meets tablet computer by Huawei. It’s a colourful and glamorous piece of work that follows a man and a woman – the titular Mary Day – who have accidentally swapped luggage and work out the issue during an internet date.
We were able to get the real sound of the car used in the shoot for authentic feeling!

Huawei presents: Mary Day from Goodstein

Viewing from within China? See low quality version below.
We welcome you to visit our new Sound Design page to see more examples of our film and game work.

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A feature film I worked on last year, ‘Sweet Amerika‘ was released last week in theatres across Canada. It will further be released in the UK and across Asia, then on DVD in a few months. It’s a multi cultural drama  based on real events about a Sikh grocery store owner who is kidnapped and tortured by four Americans who mistake him for a Muslim.

We went to see it in the theatre over the weekend, and although I was pleased with how the sound came out, the sound in the old theatre we saw it in was so bad that it ruined the experience. 2 Channels instead of one, terrible old speakers, weird, compressed audio with a lack of dynamics, and a dark, dingy screen made it a disappointing experience. I have blogged before about how I’ve been doing more film work because of the declining quality of music playback devices, so it was kind of ironic that it sounded so bad. I heard it’s playing in a good theatre now, so I’m tempted to find out what it really sounds like.

I could go on with all kinds of stories about the massive amount of work and trials involved during the process of doing sound design on this film, how Maria’s screams and non dialog audio had to be done in my studio despite ADR being done previously, and how other location audio had to be used because ADR was never done for other key scenes, but I would have to write a novel to talk about all that.
And even though it was a very impactful experience in many ways, It’s a year later, and I’m done with this chapter of my life, so check out the many decent reviews of the movie out there, and see it if you can.

I look forward to the next film project being a better production, and playing in theatres with great sound.