I am proud to announce cooperation with Audi China to provide official theme music for the Audi e-tron series, under my EDM acronym JAMA Z! It started with a viral video introducing the robot in Shanghai:

The second video in Audi China’s e-tron campaign featuring a flash mob of dancers in Beijing’s famous Sanlitun TaiKoo Li area! See if the e-tron robot can match the dancers moves…

Later, videos were posted to teach you how to do the dance moves, and of some well known Chinese dancers here & here, creating their own dance moves to the music. Take a look and keep your eye out for surprise appearances of the robot!
(Note: These videos will load very slowly outside China and will have advertisements before)

We recently did Audio Editing, Sound Design, Music Recording, and the Audio Mixing for this short film to promote the launch of the X1 media pad, a new phone meets tablet computer by Huawei. It’s a colourful and glamorous piece of work that follows a man and a woman – the titular Mary Day – who have accidentally swapped luggage and work out the issue during an internet date.
We were able to get the real sound of the car used in the shoot for authentic feeling!

Huawei presents: Mary Day from Goodstein

Viewing from within China? See low quality version below.
We welcome you to visit our new Sound Design page to see more examples of our film and game work.

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For some years now, I’ve been working on Heather Dore‘s first original song (partly due to the fact that it started in the middle of my move to China)
I’m excited to share that it’s now been released!

This upbeat “sassy plea to unfaithful lovers” was written by Darryl Kromm of Canadian hit 80′s synth pop band Strange Advance.
Guitar was performed by my long time friend and amazing guitarist, Erol Sora.
Take a listen:

With the aim of creating the perfect 80′s inspired pop song, I looked to colleague and friend Darryl Kromm who already wrote some of Canada’s best loved and known 80′s pop songs.

Reworking Darryl’s upbeat yet dramatic account of the abandoned lover, I created a modern ‘future disco’ musical arrangement to the 80′s inspired lyrics to create a cool fusion of two musical worlds.

Written and recorded in Vancouver, Cool & Careless was produced in Vancouver and Beijing, and mixed in the new Beijing studio.

I look forward to hearing what you think!

I titled this latest production, but actually, I’ve been working on so many projects lately, it isn’t the very latest… I’ll post about the rest soon.

Late summer I edited and mixed a oool album by Herb-One.
Herb has been working for years on tracks that he painstakingly and meticulously assembled and created from many different sources in a truly traditional fashion for old school hip hop (which made for some unique challenges for me in mixing the tracks). It’s a great collection of the first of many releases from him, and I think he did a fantastic job on it, not only delivering impressive ‘bragadocious’ rhymes & lyrics, but some classic old school hip hop reminiscent of the days when it was still creative, and innovative, and fun for the whole family (ie: expletive free)

The other cool thing about MC Herb-One is he’s also living in China, and has even incorporated some Chinese traditional elements into the tracks in a subtle way, such as the background to one of my favourite tracks, ‘I Got It’ which you can take a listen below:

Check out the rest of the album online including the ‘classic LP’ artworkhere, and the facebook page here.

I blogged recently about the construction of a new studio in Beijing after an electrical fire destroyed the building my first studio here was in.
I didn’t think it would take so long to get it done properly as I hired the best I could find to do it. But the standards I aspire to for things just aren’t commonly understood in China, so not only have I had to supervise and hand hold at every step of the way, I had to get the contractors to redo the entrance door to the studio to get the soundproofing required (the nice door in the construction photos in the blog link above had to go…).
Now I am quite pleased with the result, and although I am still working out a few minor details and wiring up some of the non essential analog outboard gear, the studio is finally ready and I’ve been doing a lot of work in it to catch up, and get used to it, including recording with Miss Melody, and Elika Mahony who blogged about the experience in the new studio.

Here’s a photo of the control room:

Here’s the recording booth. It’s professionally built to completely isolated from outside sound, and is large enough to fit a full live band:

recording booth with new Neumann mic

Since the studio is in a renovated traditional Chinese courtyard building, I was determined to keep the feeling that was originally there, which was quite a challenge acoustically as there is a lot of glass including a glass roof! But whatever wasn’t perfected in design, I was able to compensate for with sophisticated software that corrects anomalies and imperfections in the room for my monitors.
This has allowed me to create what I feel is one of the most unique studios in China if not the world!
I felt my previous studio in Beijing was quite impressive, but everyone who has visited both say this new one is a vast improvement, so I am very pleased. Take a look:

new Beijing courtyard sound studio entrance

studio building courtyard before construction

new studio rear after construction

I’m not one to boast about equipment I use, but I will at least say that all the equipment has been imported into China for the best possible quality, no fakes or imitations! Just the real thing, Apple, Neve, JoeMeek, Neumann, AKG, Sennheiser, RME, Mackie, Alesis, Tannoy with Mogami cabling and Neutrik connectors all the way! This is driven by Pro Tools, Cubase, Logic with Waves, Audio Ease, Spectrasonics, Native Instruments, East West software to name a few.
Many of these are recent additions to my existing range of classic analog and cutting edge digital equipment, making this new studio in Beijing the most powerful, highest quality studio I’ve had in my 20 years as a music producer and audio engineer.

I’ve put a huge amount of time, trouble and great expense to make this one of the best, top quality music and sound design studios in Beijing.
It wouldn’t have been possible without the generous support of many wonderful friends and clients in China, you know who you are, Thank you so much!

I am getting very booked in advance, so please contact me now if you want to work on a project.
I’ll be posting a blog about an open house this month very soon.

I hope you get to visit the studio in the near future! Please contact me for more info.

Since I had to abandon my first studio in Beijing due to the building being damaged from electrical fire, I’ve had to build a new studio.
I’ve chosen the location where I originally planned to set up the studio when I first decided to open one in Beijing, Real Life at Hegezhuang village.
It’s an amazing idea that China would do well to support more. They are taking traditional Chinese courtyard homes and modernizing them by renovating the inside. I’ve chosen to add a soundproofed booth and control room to the courtyard area of mine and luckily have found a great acoustic design company in Beijing to help me do it. Thanks Wayne from Snipersounds for the referral.

This studio will be unlike any I’ve ever heard of. It will have a traditional yet modern feel, with lots of light, and glass skylight which would usually be impossible acoustically, but I’m determined to break new ground and do away with the studio in a box idea. This is possible due to the latest in acoustic materials,  software and hardware to tune the control room (no more cheezy egg carton foam!). Maybe I’ll elaborate more in future once it’s all done.
The recording room is a double walled room within a room of course to ensure quiet but comfortable recording of even a full live band.
You can get more of a sense of the space and cool vibe this place has going on from these photos:

Studio entrance with courtyard skylight visible

Recording room entrance (second sound proof door is missing)

View of the control room from the adjacent room

first wall goes up inside the recording room

Front door looking into open control room door

The place will also have a kitchen and lounge, and a few bedrooms so we can live there and I won’t have to commute. There’s even a little guest room if you want to come visit.

I’ve never built a studio to this level before, but thanks to affordability of Chinese labor and materials, here, it’s possible.
Thanks to the many people assisting me to make it all happen, without them and a few miracles, it would never have been possible.
A few more weeks to go and I think we’ll have one of the coolest sound studios in Beijing!