Over the last year since I set up a studio in Beijing, I’ve had the privilege of working with one of China’s most respected and well loved artists, Cheng Lin on songs for her new album, ‘Greater Than Gold’. Although not all the songs we worked on have been included in this release, I am happy to have been able to help with the project in some way.
I blogged about a song that we worked on which I also produced and arranged, Only One Earth which won a Green China award.
One track in particular, Ray of Light, was the final vocal recording for the album before Cheng Lin decided it was time to get this album out.

Having sold more than 25 million albums through her career Cheng Lin is no stranger to album releases. What’s unique with this launch is that it’s her first album release in 15 years and it marks both and ending and a new starting point of her career.

The album covers remixes of some of her biggest hits throughout her career as well as brand new material inspired by western and multicultural rhythms and melodies. The result is a unique music style, produced by three time Grammy Award winner KC Porter.

It was a pleasure to collaborate on Cheng Lin’s album with a producer who’s catalog of music and productions includes artists such as Ricky Martin, Michael Jackson, Celine Dion, Carlo Santana, and Beyonce.

It was very cool to see Lin performing songs from the new album to a full house  in one of Beijing’s largest theatres, and hear a live band performing my arrangement of one of her songs, and hear the audience singing along with her hits!
You can listen to some of Cheng Lin’s new album ‘Greater Than Gold’ and purchase it here in North America.

I blogged recently about the construction of a new studio in Beijing after an electrical fire destroyed the building my first studio here was in.
I didn’t think it would take so long to get it done properly as I hired the best I could find to do it. But the standards I aspire to for things just aren’t commonly understood in China, so not only have I had to supervise and hand hold at every step of the way, I had to get the contractors to redo the entrance door to the studio to get the soundproofing required (the nice door in the construction photos in the blog link above had to go…).
Now I am quite pleased with the result, and although I am still working out a few minor details and wiring up some of the non essential analog outboard gear, the studio is finally ready and I’ve been doing a lot of work in it to catch up, and get used to it, including recording with Miss Melody, and Elika Mahony who blogged about the experience in the new studio.

Here’s a photo of the control room:

Here’s the recording booth. It’s professionally built to completely isolated from outside sound, and is large enough to fit a full live band:

recording booth with new Neumann mic

Since the studio is in a renovated traditional Chinese courtyard building, I was determined to keep the feeling that was originally there, which was quite a challenge acoustically as there is a lot of glass including a glass roof! But whatever wasn’t perfected in design, I was able to compensate for with sophisticated software that corrects anomalies and imperfections in the room for my monitors.
This has allowed me to create what I feel is one of the most unique studios in China if not the world!
I felt my previous studio in Beijing was quite impressive, but everyone who has visited both say this new one is a vast improvement, so I am very pleased. Take a look:

new Beijing courtyard sound studio entrance

studio building courtyard before construction

new studio rear after construction

I’m not one to boast about equipment I use, but I will at least say that all the equipment has been imported into China for the best possible quality, no fakes or imitations! Just the real thing, Apple, Neve, JoeMeek, Neumann, AKG, Sennheiser, RME, Mackie, Alesis, Tannoy with Mogami cabling and Neutrik connectors all the way! This is driven by Pro Tools, Cubase, Logic with Waves, Audio Ease, Spectrasonics, Native Instruments, East West software to name a few.
Many of these are recent additions to my existing range of classic analog and cutting edge digital equipment, making this new studio in Beijing the most powerful, highest quality studio I’ve had in my 20 years as a music producer and audio engineer.

I’ve put a huge amount of time, trouble and great expense to make this one of the best, top quality music and sound design studios in Beijing.
It wouldn’t have been possible without the generous support of many wonderful friends and clients in China, you know who you are, Thank you so much!

I am getting very booked in advance, so please contact me now if you want to work on a project.
I’ll be posting a blog about an open house this month very soon.

I hope you get to visit the studio in the near future! Please contact me for more info.

A Chinese CD, ‘Meditations of the Spirit’, which I collaborated on with Elika Mahony, and produced and engineered has just been released and sold out in less than a month!

All the songs are in Chinese with a few bilingual songs.  The lyrics are from the profound and highly spiritual Baha’i writings, and some compositions are translated versions of songs from Elika’s Fire and Gold album.
The project involved highly talented musicians and artists – the very talented Cheng Lin graciously agreed to sing on the CD and Jin R plays her original beautiful Yang Qin compositions.  Phil Morrison and Keith Williams generously added their gift of talent to the CD too and Siria Rutstein, the youngest of the group, contributes her magical voice to the mix.  Jimmy adds a few of his compositions and Flamenco guitar player, Eric Harper, adds to one of  the tracks.  We also have 2 talented ladies singing in Chinese – Zhao Li and Lily, with Elika Mahony singing one of the songs in Chinese and a part in Arabic on another.

You can find more information about the songs here and can order them on that website.
To make orders in North America and other parts of the world, click here.

We’ve been in discussion with the publisher to do another album like this due to the great response, but that is probably a few years off as this was an exhaustive project.

“When the winds of change are blowing, some people are building shelters, and others are building windmills”

– ancient Chinese proverb

Which one do you want to be, in this hurricane that has hit the music industry and business in general?