Jarome Matthew

Blog

  • Controlling computers with the mind…It’s here!

    The Obama historical event is nice and all, but if you want to see something REALLY cool, check this out:


    60 Minutes – Brain Power

    Love the part where they jack in the Matrix like plug into the womans head…
    Science fiction is reality in the new world era!

  • Obama, you deserved to make history.

    Obama
    Congratulations Obama, and America, for voting for someone not only with integrity, eloquence and intelligence, but who appears humble, and is driven to improve things! I hoped he would succeed, but I really didn’t know if it would happen given the bizarre nature of American politics… It really seemed like enough people loved him enough to make it happen, when I was in California last week, I only saw Obama signs on peoples lawns…

    The problem is one man may not be enough to really change things in a totally corrupt system. The current political system is not only corrupt through it’s individuals, but in the whole system itself.
    After studying the Baha’i administrative order, I decided that any political system that puts one man as the head to make major decisions is fatally flawed. Nine people is a good start. Each must be voted into their position purely on their merits and ability to serve, rather than campaign strategies, funding, and even desire to hold a position of such power. Then, each administrative member must hold no power outside the body of nine, there should only be power as a group. That is a pure, progressive system! And it works internationally in over 220 countries of the world in the Baha’i administration. But a system like that will never see the light of day in the political world unless a complete collapse occurs, in my limited opinion.

    If anyone can make a change and impact the system, and improve the lives of Americans, I think Obama can. But he has a lot of mess to clean up, and a terrible system to try and work within. I hope for the best and wait with anticipation to see how things go over the next few years.

  • New video production: Medieval Times In China and Beyond

    A DVD production I’ve been working on for some time has just been completed for a company Teaching For Thinking, that provides multimedia resources primarily for high school instructors, .

    It’s called ‘Medieval Times In China and Beyond’ and is part of a 2 DVD series about Medieval History. Here’s a trailer:


    Medieval Times In China and Beyond on Vimeo.

    We found some fantastic resources for this video online in the way of images and video. I included some of my own photos from travel to India!

    I appreciated how instructors now wanted content that represented not only North American and European History, but from around the world, particularly in China who was creating many inventions the world heavily uses and relies on while Europe was engaged in progress stifling religious conflict…

  • Music Production For Worthy Charity

    I am very selective about doing charitable work because of the amount of free time I have, but I have done my share philanthropy through various productions for organizations helping those in need primarily through education, more recently for a CD in Mandarin to help children of all backgrounds throughout Asia learn spiritual attributes and virtues.

    My latest such production is with talented musician and writer, Alicia Cundall who wrote a theme song for the charity organization Red House called ‘One Story’ Which I did backing tracks for, recorded, produced and mixed.

    RED House is a non-profit, non-governmental organization in Dar es Salaam, Tanzania that provides educational programs for disadvantaged and orphan children, ages 3 to 18.
    Here is a video to give you a more of a sense of Red House:


    Here is the website for Red House with the full length song:

    http://redhousetanzania.org

    It was great to help such a worthy cause that is helping youth through education. If your in Washington DC, attend the fundraiser and you can see Alicia peform this song along with a number of other talented performers.

  • Where is the music industry going?

    I’ve been hinting at a big venture I’ve been involved in and working hard on with my partner Roshena Huang for some time now, even though haven’t said much lately, but i’m ready to start talking more about it. It’s the relaunch of my record label, Pro Soul as a totally reinvented company… more on that later. First though, why exactly did we have to reinvent the company? Because the music industry is drastically changing as is more than evident these days.

    So where is it going? Well, no one can really predict the future, so we can really only guess. As Andrew Dubber has said, Anyone who says that they know where the music industry is going is either a liar or a fool. Either way, ignore them.

    We DO know what the future of the music industry WON’T be. The future will not be the past.

    That means if you’re doing what you were doing ten or even five years ago, you are simply not relevant in the music business! If you are not undergoing an aggressive period of radical change, completely redesigning your business from scratch in this industry right now considering where things are going, then your in trouble, just like the big guys.

    So that is what were doing with Pro Soul Alliance – aggressive, radical change and complete redesign. And it’s a lot of work, but it’s also very exciting and different, stay tuned!

  • The irrelevant news media

    For years now, I’ve been racking my brain as to why the media seems to have no interest in even attempting to explain what is really going on in the music industry rather than spread PR driven hype from major corporations…
    This quote really says it all:

    “That’s what’s wrong with newspapers.  Writing articles so neutral as to be uninformative.  What’s that cliche?  If tomorrow Dick Cheney said the earth was flat, even the “New York Times” would write: “Roundness of the Earth in question.”   – Bob Lefsetz

    I have two essential things to say of my own regarding this problem in our society that you will ‘get’ in terms of their source depending on who you are: “independent investigation of truth”, and “Don’t believe the hype”

  • New royalty for music played online

    On September 23, 2008, songwriters, publishers, record labels and digital music services announced they had finally reached an agreement on mechanical royalties for songs played on online music services. It only took about 8 years for them to figure it out…

    Called a “breakthrough that will facilitate new ways to offer music to consumers online,” the voluntary agreement crafted by the Digital Media Association (DiMA), the National Music Publishers’ Association (NMPA), the RIAA, the Nashville Songwriters Association International (NSAI) and the Songwriters Guild of America (SGA) ended the longstanding dispute about mechanical royalties for interactive streaming and limited downloads.

    The agreement must be still be approved by the Copyright Royalty Board to take effect, and states that limited download and interactive streaming services will pay a mechanical royalty of 10.5 percent of revenue, less any amounts owed for performance royalties. In certain instances, royalty-free promotional streaming is allowed.
    The agreement tries to solve the dispute about what invokes a mechanical royalty in the digital environment, and permits certain kinds of promotional streams without payment, and agrees that webcasters will not owe mechanical royalties for non-interactive, audio-only streams.

    The statutory mechanical royalty rate is currently 9.1¢ per song, unless you negotiate with the publisher directly and come up with a different rate.
    With physical product, calculating the mechanical royalty using the statutory rate calculated by: # of songs on CD x # CDs manufactured x 9.1¢. But calculating mechanical royalties in the digital environment is more complicated because of considerations like what type of use (download, live stream, etc.) and how each is determined online.
    The agreement states that all parties agreed to a “percentage of revenue” calculation so interactive audio-only webcasters and subscription services will pay 10.5 percent of their revenue to songwriters and publishers, minus any performance royalties already being paid to labels.
    If a songwriter has a publishing deal with a publisher who’s a member of Harry Fox, the royalties should go from the music service to the publisher through HFA, then be passed along to the songwriter/composer as per their deal. For self-published musicians the royalties should go from the music service to a digital aggregator, which then would pass them on to either the musicians’ indie label, or directly to the musician.
    The agreement primarily affects Rhapsody and Napster, for both their on-demand streaming services and their “to-go” services that allow subscribers to put music on portable players. But it will also affect other major services like MySpace, imeem, iLike and others for their interactive streaming options they want to provide.

    However, this agreement is not the answer to the ongoing digital performance royalty fight between SoundExchange and webcasters like Pandora and soma.fm. That’s another issue, related to a different copyright. As i’ve mentioned many times, the music industry is unequaled when it comes to beauracracy… According to the press release, the parties agreed that non-interactive, audio-only streaming services like Pandora and soma.fm do not require a mechanical license. This means webcasters no longer have to worry about paying the publishers both for a performance and again for the cache and buffer copies made to enable that performance.
    However, this agreement does not solve the debate between webcasters and sound recording rightsholders, which has to do with the non-interactive public performance of a recording on a digital platform. To keep it simple, I’ll just say that the disagreement about this digital performance royalty rate is ongoing. Hopefully a settlement will be reached soon, before it kills internet radio and brilliant musical innovations like Pandora.com

    There are many parts of this agreement, like the acceptance of a percentage of revenue calculation that make a lot of sense. Hopefully it will influence and allow new business models to continue and flourish and allow musicians to benefit from increased access, exposure and revenue, and let music fans discover more music.

  • Has fear made you the walking dead?

    Many who know me know I have no problem taking risks, and strongly stating my opinions and beliefs. In fact, right now i’m taking one of the biggest risks I ever have with a new venture that I’ll be blogging about in detail soon…

    That’s mainly because I feel that if you have to live on this insane, corrupt, self obsessed planet, you have to make the most out of it, and live it to it’s fullest. Not because this is ‘it’, far from it! This life is just to get us warmed up and prepared for the worlds beyond. I take risks because as Dr. Martin Luther King, Jr said, if you live life in fear, your not really living at all, your already dead:

    “I say to you, this morning, that if you have never found something so dear and precious to you that you will die for it, then you aren’t fit to live.
    You may be 38 years old, as I happen to be, and one day, some great opportunity stands before you and calls upon you to stand for some great principle, some great issue, some great cause. And you refuse to do it because you are afraid.
    You refuse to do it because you want to live longer. You’re afraid that you will lose your job, or you are afraid that you will be criticized or that you will lose your popularity, or you’re afraid that somebody will stab or shoot or bomb your house. So you refuse to take a stand.
    Well, you may go on and live until you are ninety, but you are just as dead at 38 as you would be at ninety.
    And the cessation of breathing in your life is but the belated announcement of an earlier death of the spirit.
    You died when you refused to stand up for right.
    You died when you refused to stand up for truth.
    You died when you refused to stand up for justice.”

    -Dr. Martin Luther King, Jr.
    From the sermon “But, If Not” delivered at Ebenezer Baptist Church on November 5, 1967.

  • Feature film ‘Sweet Amerika’ featuring my sound design released

    A feature film I worked on last year, ‘Sweet Amerika‘ was released last week in theatres across Canada. It will further be released in the UK and across Asia, then on DVD in a few months. It’s a multi cultural drama  based on real events about a Sikh grocery store owner who is kidnapped and tortured by four Americans who mistake him for a Muslim.

    We went to see it in the theatre over the weekend, and although I was pleased with how the sound came out, the sound in the old theatre we saw it in was so bad that it ruined the experience. 2 Channels instead of one, terrible old speakers, weird, compressed audio with a lack of dynamics, and a dark, dingy screen made it a disappointing experience. I have blogged before about how I’ve been doing more film work because of the declining quality of music playback devices, so it was kind of ironic that it sounded so bad. I heard it’s playing in a good theatre now, so I’m tempted to find out what it really sounds like.

    I could go on with all kinds of stories about the massive amount of work and trials involved during the process of doing sound design on this film, how Maria’s screams and non dialog audio had to be done in my studio despite ADR being done previously, and how other location audio had to be used because ADR was never done for other key scenes, but I would have to write a novel to talk about all that.
    And even though it was a very impactful experience in many ways, It’s a year later, and I’m done with this chapter of my life, so check out the many decent reviews of the movie out there, and see it if you can.

    I look forward to the next film project being a better production, and playing in theatres with great sound.

  • Latest Production, remake of an 80’s classic, ‘Fascination’

    So after dusting off some 80’s analog synth hardware, and researching licensing internationally for digitally released cover songs, Heather Doré’s new song is finally released and available online! Listen here!

    She is a great lover of 80’s music, so it seemed fitting to remake an almost forgotten 80’s classic, so we chose The Human League, ‘(Keep Feeling) Fascination’ which I have always loved since I was a teen. I wasn’t sure how I could do justice to the fantastic original production, unique sounds used, and great male and female vocal tracks, but a little ‘future disco’ treatment, and Darryl Kromm of Strange Advance on background vocals turned out to be a winning combination in my biased opinion!

    We have some very exciting things in progress for Heather‘s next songs, so look forward to more soon!